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| | | There was oblivion. An oblivion pregnant with obscure, murky stories. Stories about her tumultuous relationship with Akbar Khan, her having quit films because of the same, her addiction to drugs, etc. The latest story doing the rounds was of the final break-up of her 11-year relationship with Akbar and a last attempt on her part to join films.Trying to meet her posed problems. But what proved the biggest set-back was the shock of seeing her personally. | | | |
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| It has taken her two years to finally speak on her traumatic relationship with Ranjeet. And she is only breaking her silence because—he wants a divorce. He wants to sever the last chords of a relationship that she gave 11 years of her life to...
"Yes, Ranjeet has asked me for a divorce. I don't wish to be a participant in all this mud-slinging. It's not going to help in any way. Time and again he has spoken, contradicting himself. | | | | |
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| | | You know her as Mandakini, Raj Kapoor's latest screen goddess. With the bewitching .smile and body that can set a million hearts pulsating. But she is also Baby, the golden goose of her parents. With access to more fame and riches than they've ever seen. And they want both. She is the co-star of Aman Wirk in Mazloom. With the kind of relationship he wants from her, to extract as much as he can, till he finally discards her. And he hasn't promised her anything in return. | | | |
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| Three years ago, they met on the sets of Simi Garewal's Rukhsat. Marc Zuber was a mature actor from London. For Anooradha Patel he was the epitome of the copybook hero—the tall, dark and attractive stranger. There were many things that sparked off the chemistry between the two. He played her older lover in the film and they did some very controversial, steamy bedroom scenes together. Since Rukhsat was being filmed in America, they were also thrown together for almost three months | | | | |
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| | | Whether it be a Dilip Kumar or a Raj Kapoor, a Randhir or a Sanjay Dutt—all of them have two convenient sets of values-one that is applicable to themselves and the other that pertains to their women. This divide between what a man can do and what a woman “should” do is to be seen in the way relationships are made and projected, both off and on screen. And among this pompous male chauvinist conglomeration are to be seen types and types of male chauvinist pigs! | | | |
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